Okay, technically this is yesterday's post, but whatever...
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1240, 20th September, Wed
Because I have no internet connection in the Burger King I’m in now, yet still feel the need to deviate from my essay work, I shall blog here on Microsoft Word and copy and paste the whole thing over later tonight.
On Sunday, family went to watch The Banquet (two Chinese films this year! Is this some passing fetish in my family?).
Oh. My. *BEEP*
It was fantastic!! Quite obviously based on Hamlet, but they beefed it up a little with various intrigues and twists here and there which made the story superb in suspense and powerful in poison.
I guess that alone should tell you why I like this film. These type of things are what I use to beef up MY venom. Not that I can compare to the Empress. But let me get on with it.
I will try my best not to include spoilers. If I have unwittingly spoiled your viewing entertainment of the show by adding in excess information, I ask sincerely for your forgiveness. Not that you can strangle me over the internet, but still.
I’m sure you all know the background information, so I’ll just skim on it without the details: King has an heir. The Prince. Duh. The Prince had a lover, whom the King took as Empress while The Prince was made to be betrothed to the naïve daughter of one of the court officials. Depressed, Prince darling runs away to join the era’s equivalent of a circus- a circle of acting trainees. King dies for some obviously un-known reason, and the Prince is summoned back to the castle, though not to take over the throne, since his wonderful uncle has done that already, and taken the liberty of usurping the Empress as well. The conspiracies begin.
Now let’s get down to business. I’m not going to rattle off the story. That’s for you to watch. What I am going to do, is tell you the symbolism and my feelings of certain snippets.
For example, in a scene where the Empress is using her beauty and charm to survive and fight another day (it’s a bedding scene), the bogus Emperor rattles with intoxication, “You can have my life, you can have my kingdom…”
Hurhurhur… he’d better be careful what he’s wishing for… This idea comes back most thrillingly towards the end of the film.
Jokes aside, let me go on about the Empress and original Emperor first. While in the beginning, it would seem as if the original emperor was an a-hole. But was he really? Early on in the film, doubts are being planted: if this guy was really such a jacka**, how is it that the Empress, whom we assume he took forcibly because of his own lust, has so much respect for him? And granted, the guy was the father of the Prince. But the sorrow he feels for his father’s death seems very much devoid of emotional conflict, even though it seems that his lover was stolen by his father. He even berates the Empress for cheating on his father. Both Empress and Prince, though they walk separate paths, are evenly matched in their hatred and their pursuit for vengeance against the usurper, and respect and pursuit of justice in honour of the Original Emperor.
So, even though this is nowhere near the main crux of the story… are we so sure the Emperor was a d**k? How else do we account for him taking his own son’s love?
As the film progresses, we see the character of the characters unfold, most notably the Empress. She is certainly no “helpless woman”… and if you are in any mood to think during to movie, you’d realize: she is indeed the only woman capable of taking on the title and responsibilities of the Empress.
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And now I continue:
The film leaves the personality of the original emperor open to speculation, but maybe, just maybe, the guy was putting the interests of his country first when he chose his Empress, although things may not have turned out as he anticipated.
Ge You and Zhang Ziyi shine brilliantly in this film. They play off each other well, and are very, very apt at subtle acting (tone of voice, pacing of words, separation of the message of the eyes from the rest of the face).
Also, Ge You is deliciously HATEFUL as the ambitious, lecherous royal uncle. My gosh, after that beginning, you feel for the Empress no matter how poisonous she turns out to be afterwards.
Zhang Ziyi as the Empress is absolutely WICKED. There were repeated gasps from the audience in the cinema. Not many films or actors can do that. She is scheming, unforgiving, and full of venom. But at the same time, she is pitiful, long-suffering, burdened, understanding, far-sighted and devoted.
For full viewing pleasure, you may want to mentally note down the order of poisons during the film.
The Prince is mostly there as a pivot point, but he is well-fleshed out. Note the meaning behind his favourite song. By the way, the masks are powerful tools.
As for the naive Qing Nu (Zhou Xun), you either love her or hate her. But her presence has a very big impact on the unravelling of events.
This is the kind of thing you should not watch in a big group. Spoils viewing pleasure.
By the way, it's late and I got to sleep.